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Fine exhibitions by Swapnil and Mukta need an extraordinary notice. Avinash Vishwajeet's music has likewise assumed an imperative part in this film, with great work of art by Nikhil Kowle and immaculate ensemble outlining by Pallavi Rajwade suited to all events in the film. The film has been exhibited extremely well by executive Satish Rajwade, with the assistance of a decent screenplay and fresh dialogs civility Ashwini Shende. At long last, she takes a shrewd choice to fulfill her gang. She stays undecided whether to wed Gautam, however she loves his crew. Be that as it may, in the wake of meeting her ex Arnav (Angad Mhaskar) once more, Gauri begins contrasting the conduct of Gautam and Arnav. As needs be, time is given to the youthful couple to see one another. Makers: Mirah Entertainment and Everest EntertainmentĪrtistes: Swapnil Joshi, Mukta Barve, Prashant Damle, Mangal Kenkre, Vijay Kenkre, Savita Prabhune, Aasavari Joshi, Shruti Marathe and Suhas Joshi.Īfter Gautam Pradhan (Swapnil Joshi) and Gauri Deshpande (Mukta Barve) left starts flying with their science in Mumbai Pune Mumbai (Part 1), we discover the relatives of Gauri and Gautam meeting up in 'Mumbai Pune Mumbai-2' to alter the marriage of the couple.
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This review is by guest reviewer Abhishek Gosavi.Name of the film: Mumbai Pune Mumbai-2 Lagnala Yaychach When popularism outdoes content and box office results imply excellence, this is expected. Without a doubt, such a film wouldn’t have found finances in the first place, let alone getting a release. It could have probably looked bearably better with a powerful cast and direction. If this film was written well or wasn’t written at all, the makers would have saved you the agony of seeing same characters in the form of same faces. With mutual agreements, marriage rituals begin and so does the showiness. But all this boldness, broad-mindedness, sugar-coated smiles, happy-go-lucky attitude is tedious to a point where you don’t want to see it anymore. But up to that point, he is unsurprisingly careless and open-minded. All his agony is probably restricted to the last thirty minutes. With her traits being the source of conflicts, our Puneri boy is devoid of conflict. She can’t decide between her ex-boyfriend and future husband. She is bold because she downs vodka glass after glass, really? And yes, she is indecisive too. Though not wrong, they want you to believe her confusion based on the way she orders her drinks. If Mukta Barve’s character in the first film seemed introvert, demanding, determined and hopelessly romantic, we now see a lot of sudden changes in her as per writers’ convenience. Yet, nothing stops it from being an overloaded extension, a terrible one though. Of course, this is peppered with our traditional masala formula.
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What this film actually holds is a story we have run into a hundred times. It doesn’t bring anything different to the table. It takes off from where the previous one ended, involves the same lead pair and carries the name of the original as well. Here we are, 5 years later, its sequel has superior resources, better camerawork, but overcrowded and flimsy characters. You stay connected even when only dialogue channels the story, while forgiving Indian television-esque picturisation and lighting. The reason I had liked the slightly above-average Mumbai Pune Mumbai was its endearing setting – two characters, no costume change, minimalistic make up and locations, and most importantly, no standard plotline.